Showing posts with label Deathly Hallows. Show all posts
Showing posts with label Deathly Hallows. Show all posts

Tuesday, January 14, 2025

Pentagram Predictions III: Troubled Blood as Alchemical Twin to Deathly Hallows

 Originally published: July 8, 2022 by  Leave a Comment

This is the last, at least for now, of my Pentagram Predictions Posts.  As I stated in the introduction to this series, this model has a serious weakness; a 5-part structure messes up the Parallel Series theory: the idea that the Cormoran Strike books are written in parallel to the 7-part Harry Potter series. My tentative solution is to propose that JKR/RG wrote Troubled Blood not just as a counterpart to Order of the Phoenix, but as a combined counterpart to the last three Potter books. In that case, we should be able to see not only echoes to Order of the Phoenix, but to Half-Blood Prince and Deathly Hallows.

Fortunately for me, two-thirds of this post has already been covered. Hogpro regulars were expecting OotP links, and started compiling a list in a Placeholder Post as soon as Troubled Blood was published. Then, I was struck by the number of parallels for Half-Blood Prince that seemed to be in Troubled Blood, starting with the common “Blood” in the title. This is part of what let me to speculate that TB might have been originally planned as the 6th book in the series. You can find the rationale behind that idea, and the list of Half-blood Prince connections here. 

I’m not going to try to recap every OotP and HBP connection to TB here, but refer readers to the earlier posts.  (Read the comments, too, as some of the best ideas came from our readers!) I also want to stress that Troubled Blood is not the three Potter novels in sequence; there is no moment when TB ceases to echo OotP and starts being more like HBP. Rather, we see themes and echos of all three books woven throughout the text.  Lethal White had a specific storyline connection to Goblet of Fire; “Unpleasant government minister in charge of pulling off a successful major sports event is murdered by the son that he got out of jail early” could be a Cliff Notes plot summary for both books. For Troubled Blood, I see more isolated thematic and character echoes. For example:

  • Anna’s leading = Trelawny’s prophecy:  Both OotP and TB were set into motion when a medium went into a trance and made a prediction to a skeptical listener.
  • Talbot’s “True Book” = The Prince’s Potions text: Both are old volumes, covered with handwritten notes suggesting atypically approaches to problem-solving. Harry and friends spend most of the book wondering who the Prince was; Robin and Strike have to figure out what Talbot was actually thinking, and who the mysterious “Schmidt” was.
  • Witness interviews = Pensieve memories. In both HBP and TB, the protagonists are depending on decades-old memories to answer the current questions, and review a series of them over the novel.  Hence the long, narrative monologues by characters like Gloria Conti and the Bayliss sisters, rather than the typical Q and A of an interview.
  • Charlotte’s texts = Harry’s mental link to Voldy: Unwanted communications in both TB and OotP let our hero know what their nemesis is thinking. At one point, the connection alerts the hero that someone is near death, and he saves their life. The connection is cut at the end.
  • Steve Douthwaite = Horace Slughorn: the cowardly figure who tried to rewrite his past to hide a guilty secret and had to be strong-armed into revealing it.
  • Disaster at Madame Puddifoots = Dinner Party from Hell:  Valentine’s Day just never quite works out right, does it?

Interestingly, some characters do double-duty, pointing us to both OotP and HBP.  For example:

  • Saul Morris = Delores Umbridge and Cormac McLaggen.  I think JKR was misdirecting us a bit by introducing a grouchy older lady as the new agency secretary; my knee-jerk reaction was “aha—  Umbridge counterpart.” But Delores, our least-favorite toad-faced DADA teacher turned out to have her homolog in the handsome new sub-contractor Morris; notice how the names rhyme? Saul Morris arrives at the agency with a similar level of arrogance that Umbridge brought to Hogwarts: undercutting Robin’s authority in the same way Umbridge undercut Dumbledore’s, while sucking up to Strike in the same way Delores did to Fudge. Just as Harry would not tell Dumbledore about Umbridge’s hand-cutting quill because DD was away a lot, concerned with more important matters, Robin did not tell Strike about Morris’s inappropriate texts, because she did not want to add to his worries in St. Mawes. Just like Umbridge was foolish enough to insult the centaurs, Morris was foolish enough to “joke” with the woman who fought off the Shacklewell Ripper by grabbing her from behind. Both found themselves physically trounced, then run out of the”castle”–and not a soul was sorry. Morris also reminds us, more directly, of the vain and womanizing Cormac McLaggen of HBP; even playing a similar role as the target of a little fake holiday “dating” our brainy heroine does to save face after being dumped, and which prompts some jealousy in her actual love interest.
  • Joan Nancarrow = Sirius Black and Dumbledore. Joan, like Sirius, was a surrogate parent to Strike, and he certainly felt guilt, not for causing her death but for not being as attentive to and appreciative of her as he should have been. As Dumbledore was weakened by Voldemort’s potion, Joan was weakened by chemotherapy. Like Dumbledore, Joan had an elaborate funeral, a non-traditional burial and a beautiful white container for her earthly remains.

But what of Deathly Hallows? Can we find echoes of that book in Troubled Blood? Find out after the jump.

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