Sunday, September 14, 2025

Cursed Child: Three Accio’s and a Whole Bunch of Reducto’s.


Originally published August 16, 2016 by  3 Comments
Theatre and fans
As Hogpro readers know, the book that was waited for with such fanfare was the “rehearsal script” of Harry Potter and the Cursed Child. Changes may have already been made to the current version playing in London, and more will undoubtedly come about before the next big premiere, presumably in a year or two, on Broadway.
If I was a producer, there are multiple points I’d take out and at least three I’d add.
OOTP-Screencap-Reducto-ginervra-ginny-weasley-1628131-1024-768Parts to Reducto:
Swearing by Dumbledore’s name. If there is one thing all parties should agree on, 20-odd years after the battle of Hogwarts, it was that Dumbledore, no matter how respected, was an imperfect and highly flawed man. There is no way Harry’s family, or anyone else in the wizarding world, would be evoking his name as if he were some sort of canonized saint. And if one of his portraits overheard it, he’d tell them to knock it off; it’s the last thing in the world our dear departed Headmaster would want. He has only been deceased for twenty years or so; tt would be like a Republicans today walking around saying “Oh, thank Reagan the rain has stopped.” Besides, in the book epilogue, Ron said to Rose, “Thank God you’ve got your mother’s brains.” Not, “Thank Dumbledore you have your mother’s brains.” In short, there is no precedence for any witch or wizard to do this, so the script should lose it immediately.
Sappy relationship conversations. Part of what was great about the original 7 books is that people our Trio did not spend a lot of time discussing their friendship. We knew how much Ron and Hermione meant to Harry when he rescues them from the Black Lake, or uses his memories of them to summon his Patronus. Too often, the play drifts into sappy conversations rather than simply showing how strong a relationship is. The dialogue between Scorpius and Albus, for instances, has led multiple readers to speculate that they are “more than friends,” even though both clearly have crushes on girls.
A particularly bad example is Act 4, Scene 4, when Harry has the long chat with Dumbledore’s portrait, and yells at him for leaving him at Privet Drive, and his various other failings. Then they (figuratively) kiss and make up and tell each other how much they loved each other. That seemed out of place, especially after McGonagall had already reminded him (and us!), the portrait isn’t Dumbledore, it’s a shadow of Dumbledore, paint and memory. Harry should have made his peace with Dumbledore, and what he did and didn’t do for him back at King’s Cross. Rehashing all that with a painting, 22 years later, when he should be focusing on making peace with his son was a pointless distraction. Besides, Harry would never address the painting as “Dumbledore”— we’ve never seen him call his Headmaster anything but “Professor” to his face.
love-potionLove potions. They need to come up with something else for Ron to give Albus to be spilled on the blanket. What kind of sick uncle is going to give his 14-year-old nephew a love potion, particularly when he himself had a pretty bad experience with one as a kid? It’s bad enough they market the stuff to girls. Just who does Ron think Albus is going to use this on? As far as Ron knows, Albus’s only female friend is his cousin Rose—Ron’s own daughter. One little accident and the Weasley-Granger-Potters are going to be as imbred as the Gaunts. Weasley’s Wizarding Wheezes is a well-stocked store; surely there is some other joke-related liquid that could get spilled on a blanket.
Fairy wings.  I appreciate that Harry wanted to give his only daughter a gift but… the eldest son gets one of the Deathly Hallows? The middle, a blanket with tremendous sentimental value– even if young ASP doesn’t appreciate it. And the daughter gets… fairy wings? Something “fluttery,” as if it was a dress-up outfit for a five-year-old? Lily is 12, after all, the same age Ginny was when she was pouring her heart into the Horcrux-diary and getting possessed by Voldemort. Seeing her daughter coo over fairy wings is silly, and more than a little sexist. Contrary to what Albus said, fairy wings hardly “make sense” for a wizarding child, unless they actually let the kid fly. Unless Harry wants Lily to be the same type of laughingstock as her namesake Luna Lovegood, he doesn’t need to be sending a second-year off to Hogwarts with something like that. Best wait and hope Grandma Molly has a heirloom or two to pass on, or, if she has a leaning toward Quidditch, give her the “Open at the Close” Snitch.
1443023761-professor-minerva-mcgonagall-professor-mcgonagall-7083850-852-357Minerva Hostility. Harry and Hermione got way too snippy with McGonagall and vice-versa. Their affection and respect for each other was obvious at the Battle of Hogwarts. Harry managed his first Crucio when Carrow spit in McGonagall’s face, and she, in turn, secured the castle for him. I would think their fondness for and pride in each other would have only grown over the years, as Harry and Hermione rose in Ministry ranks, and Minerva led Hogwarts, rebuilding it after the battle into the school Harry and Ginny’s children attend. Surely they can disagree without getting nasty. Minerva could have easily shut down Harry’s “full force of the Ministry—is that understood?” nonsense with a nice dry, “I understand perfectly, Undersecretary Umbridge” comeback.
If Harry wants to impress how concerned he is about Albus, he could threaten to bring him home from Hogwarts to keep him away from Scorpius, instead of using his Ministry muscle. McGonagall knows how much Hogwarts meant to Harry, and how it would break his heart if Albus couldn’t attend.  She might agree to monitor Albus and Scorpius under those circumstances, not because she is threatened by Harry’s fearsome Ministry Authority, but because she respects him as a parent.
McGonagall, for her part, has no business lecturing Hermione on irresponsible Time-Turner usage, given that a certain Head of Gryffindor once gave one to an over-ambitious third year who couldn’t decide which electives to take. I would think Hermione would be quick-witted enough to remind her of this.
Centaur Hostility. If Hermione was at all successful in her efforts to improve relationships between wizards and other magical creatures, the centaurs should not be so grouchy now. Swap Bane for Firenze and have him do the creepy prophecy without the trespass accusations. Harry has far more reason to trust Firenze than Bane.
Watch your language. There were a couple of lines that I’m afraid may be unintentionally funny. a997798b1b34a4af91b097d249d89f24b85a02e7_1Take, for instance, page 11 where Harry tells Albus, “There’s nothing to be frightened of at Hogwarts.” Unless Gildroy Lockhart has gotten out of St. Mungo’s and hit Harry with a memory spell, there is no way Harry could, or would, say that with a straight face. And if Hagrid is still Gamekeeper or teaching Care of Dangerous Magical Creatures,–trust me, there is something there to be frightened of—and Hogwarts would not be Hogwarts unless there was something dark and dangerous around.
Minerva: “I’m not sure this is what the Marauder’s Map was intended for.” Darn right, it wasn’t, it was intended to make it easier for four trouble-making students to make trouble, and therefore not something Headmistress McGonagall would appreciate. My guess is that Minerva would rather kiss a Carrow than have it in her school.
I also hope Harry and Hermione made a nice return visit to Godric’s Hollow on holiday sometime since they were 17. Because in Act 4, Scene 7, when she says, “You remember when we were last here? Seems like old times…” Excuse me, Hermione, but the last time you two were here, you got your butts kicked by a snake dressed up in an old lady’s rotting corpse!  Not something I’d remember with particular fondness.
Three Parts to Accio:
maxresdefaultFirst: Someone needs to point out that Albus Severus has Lily’s eyes, just like Harry does. The scene where Harry gives him the blanket would be the perfect time. “People have always told me I had my mother’s eyes—I think you do too.” Or have Snape ask Scorpius what Albus’s eyes look like, and react when Scorpius tells him they’re green, like his father’s. Then, when Harry is watching Lily at the end, and saying how beautiful she is, he could hug Albus and tell him, “You have your grandmother’s eyes.” That would just be perfect.
635f66ae0a5cc789b12e5d25dfa94feeSecond: I want to see Neville as an adult, onstage. I’m glad they mentioned him and if recognized him as a game-changing character–but I want to see him as a Hogwarts professor and I want to see him befriend Albus. That would make a very nice scene in the first part, when those first three years are flying by. Maybe Albus getting attacked by a Devils Snare in Herbology class or something, and Neville saving him and then trying to reassure him, giving him the type of support he needed from his teachers as a child–invite him for a cup of tea or something–because he knows what it’s like to be thought of as a Squib. Of course, Neville will eventually make the same mistake everyone else does, and bring up how much he admires Harry, so Albus will get all sullen and bratty again— “You don’t care about me, you just want me to stop embarrassing my dad!” But, it would be nice to see someone try. It wouldn’t take long– maybe adding  2-3 minutes to the play. If they need room in the script they can cut the sappy dialogue with Dumbledore’s portrait. Addition:  I just read a Pottermore blurb stating Neville is young ASP’s godfather.  All the more reason to have him make a special effort to assist him.
e83e_harry_potter_marauders_mapThird: The walk by Cedric’s grave is all well and good, but the truly perfect father-son bonding moment to end the play on would be to have Harry give Albus the Marauder’s Map. The blanket is damaged now and, well, let’s face it, Albus had a point, it was a pretty lame gift, compared to the Invisibility Cloak. Harry could recognize that Albus, who is “bold, fierce and funny” like Ginny, would probably enjoy getting up to a bit of mischief with his best friend—and given that McGonagall undoubtedly has them both in detention for life, the Map could come in handy.  It would be a nice echo to Lupin returning the map to Harry at the end of Prisoner of Azkaban.  More importantly, it would show that Harry is sorry for the way he hoped to use the Map to spy on him, that he fully accepts Albus and Scorpius’s friendship and wants to make Hogwarts a bit more fun for the two of them.
Filed Under: Cursed Child

Comments

  1. JKR is at it again … https://www.yahoo.com/news/j-k-rowling-releasing-three-173858769.html … There is no end. Last one, wot? This won’t be canon either.
    Ah, one for the money; two for the show, three to get ready; fan fic us some more!
  2. Dolores Gordon-Smith says
    Louise, what a brilliant post! I agree with every word of it. Something that really bugged me, reading the script, was how often Albus and Scorpius hugged. Yes, they’re mates, but they wouldn’t hug each other. One of the (many) great things about the books was how well the relationships were caught and how realistic they were.
  3. I think this site is great! And yep, I totally agree. I too believe that instead of being the eighth book of the series, it is like an elaborated, kind-of-crappy epilogue sorta stuff. And also, the new Malfoy and Potter do seem more than friends.
    I was wondering if you could please please check out my website, which is a Potter head Hub. I’m sure you would find it interesting… Thanks.

Polyjuicing in the Cursed Child

 

  1.  Originally Published August 12, 2016 by  1 Comment
    Polyjuice_potionAnd I’m not just talking Delphi, Draco and Albus trying to break into Hermione’s office.
    Rowling has said Harry Potter and the Cursed Child was for the fans, and when it comes to treasured glimpses of our favorite characters, it delivers in spades. But some of the most fun moments for me came from seeing old characters in new bodies.
    Rose-Granger-WeasleyTake Rose. She’s clearly her mother all over again, even to the extent of being mistaken for young Hermione (and played by the same actress) at the first Triwizard task. The only addition is  that she is also a champion Quidditch player, like her aunt Ginny and most of the other non-Percy Weasleys. But, there is, ironically, a pretty big streak of Hermione’s nemesis Draco Malfoy running through her. On her first Hogwarts express trip, she’s the one who seems a bit puffed up with family pride with her  tumblr_lofpzpsG3u1qahisxo1_500“I’m a Granger-Weasley and you’re a Potter–everyone will want to be friends with us” as she makes elaborate plans to “rate them all and make a decision.” And after Scorpius introduces himself, she suggests to Albus they go sit somewhere else, and Albus elects to stay with Scorpius and share his candy, Rose reminds him she “won’t wait” for him to make her fabulous new friends. She may not use the same words, but the meaning is the same:
    “You don’t want to go making friends with the wrong sort. I can help you there.”
    “I think I can tell who the wrong sort are for myself, thanks.”
    Young ASP is a bit more like his dad than he realizes.
    Albus_Potter_(HPCC)Young ASP is may be an even closer match for his dad’s doppleganger, Neville Longbottom, as evidenced by his difficulty with uncooperative broomsticks, exploding potions, name-calling classmates and living up to his father’s name. Like tumblr_m614id0Fzo1rrlv1lNeville, he is also a late-bloomer, becoming a much more formidable wizard under Delphini’s tutelage. And of course, he mirrors Neville in the final St. Jerome’s showdown, making  a small-but-essential contribution to the villain’s defeat by slipping through the grate and Alohomora-ing the doors open.
    landscape-1469458050-23-harry-potter-and-the-cursed-child-photo-credit-manuel-harlan-1As for Albus’s bestie Scorpius, although he may be the spitting image of his daddy Draco, he is as much, or more, of a Hermione as his crush Rose, with his bibliophile, homework-loving, trivia master and know-it-all tendencies.  Like Ron and Harry, Albus knows he needs his friend’s brains if he is going to survive his escapades. Scorpius  also has had a life full of dark suspicions, much like Harry’s second year at Hogwarts–  you’d think the “Heir of Slytherin” would have a little more empathy for the “Son of Voldemort.”
    NEACPzcPUxb6EB_1_bPerhaps the funniest “Polyjuice” scene for me was Act Two, Scene 11, the alternative future where Hermione is DADA professor, and spends most of the lesson channeling Snape.f5386e205acbc123ccd31c562f9182b9 We tend to think about the maturing effect Hermione had on Ron–  but this scene makes you wonder, how much of a mellowing effect did he have on her? Would the  obnoxious little “It’s Wing-gar-dium Levi-o-sa, make the ‘gar’ nice and long”- kid from  have evolved into a sadistic professor without Ron’s influence? Cursed Child makes clear that the alchemical “quarreling couple” (see most of Headmaster Granger’s collected works for more details) seemed destined to come together, no matter how disrupted the timeline becomes; it makes Rowling’s interview remarks about Harry and Hermione perhaps being the more logical pairing seem even sillier.
    What other “Polyjuice” moments did readers pick up on from the script?

    Comments

    1. Emily Strand says
      Great post, Louise. I too noticed alt-verse Hermione’s similarity to Snape. And I wondered if her constant ire was, like Snape’s, due in part to a life lived without love. Sigh. Again, I say, poor Snape.

Louise’s Post-Cursed Child Review: Stage Spectacle Out-Shines the Script

 

  1. Louise’s Post-Cursed Child Review: Stage Spectacle Out-Shines the Script

    April 18, 2019 by  4 Comments
    Yesterday was it: a day of Harry Potter and the Cursed Child, with Part 1 at 2 PM and Part 2 at 7:30. I had been eagerly anticipating this experience since the release of the published script almost 3 years ago. In general, I would say that the show fully met my expectations:  the parts I enjoyed from the script were great on stage, and the parts that made me roll my eyes at the script–I’m looking at you, bed-wetting scene, and tearful conversations with Dumbledore’s portrait— did the same thing on stage.  But, the part of the theatrical experience you can’t get from reading–the staging, the sets, the special effects–were amazing, as has been reported by theater-goers since the London premiere. That, as expected, turned the experience into something well worth the price.
    More to come:  but, be forewarned.  Despite the neat #keepthesecrets button they gave me, having already read, discussed, blogged and podcasted about the script extensively, I will be discussing many show spoilers.  Please do not read beyond the jump if you do not want to know the Cursed Secrets.
    Any play needs a strong cast and strong staging to succeed, and doubly so when it faces an audience that is somewhat skeptical about the merits of the script itself.  And, it is fair to say I had some issues with the script:  Cedric Diggory, Death Eater? Voldemort fathered a kid with Bellatrix? Harry is a lousy dad?  But, with a strong cast, amazing staging and a heavy dose of nostalgia, a great show can emerge, even from a precarious premise. The comparison I like to make is with my favorite of the Star Trek: The Original Series movies:  Star Trek IV:  The Voyage Home. The premise is:  an unknown space probe arrives at Earth to talk  to a humpback whale. It is able to nearly destroy the the planet when this conversation does not happen.  After an elaborate time-travel adventure, a pair of whales is produced, and after a 10-sec conversation, the probe is satisfied and flies away, with no one apparently interested in what it was or where it came from. The Voyage Home because fans aren’t showing up to hear the story of the probe; they showed up to see the voyage home:  Kirk touring  the Monterey Bay Aquarium, Spock nerve-pinch a dude on a bus with an overly loud boom box, Scotty attempt to operate an Apple IIe and proud Russian Chekov get captured on a naval aircraft carrier. Similarly, a chance to re-visit the wizarding world and see the characters will love in unique settings and situations is an incredible homecoming experience, and something I, at least, am willing to overlook the shaky premise of the play itself. 
    Enough of that. The cast was, in a word, superb. The most challenging parts are clearly those of Albus and Scorpius, which require 20-something actors– and as tall or taller than their parents– to convincingly play children 11-14 years old; and they did!  Though I did not see the original cast, the new adult (Harry, Ron, Ginny, Draco and Hermione) and “child” (Albus and Scorpius) casts were all quite strong. Scorpius, in particular, was hilarious in his nerdiness; it was indeed hard to picture him as Draco’s son. Many characters did strong impressions of their movie counterparts: Harry and Ginny bore an uncanny resemblance to Daniel Radcliffe and Bonnie Wright, and McGonagall was clearly playing Maggie Smith’s version of the character–not that that’s a bad thing. The surprise scene-stealer in this regard was Moaning Myrtle who, though she sounded almost exactly like Shirley Henderson, was over-the-top in her flirtatious responses to all the living males, and hysterically funny. Ginny had a lot of the sass and the spunk the character missed in the movies, so she was also a pleasure to see. Finally, Ron was the perfect comic relief — which the play needed and, since we don’t have the twins (sniff!), and given the occasional dark tone; he was a great choice for that.
    As for the staging…  the word there is WOW! I was reminded of the first touring cast of Les Miserables I saw in San Francisco, with the turntable in the middle of the stage and the moving parts that were constantly being re-combined to produce different settings, including the magnificent barricade. The Cursed Child producers got a lot of mileage from a couple of moving staircases, and the original suitcases people were carrying from the opening King’s Cross scene were re-purposed multiple times. The best special effects were the kid-swallowing bookcase and the frequent arrivals of the ministry types by Floo powder in McGonagall’s office. There was a lot of flying on wires, the most impressive of which was the arrival of the dementors. There was a lot of swooshing of cloaks and making things appear and disappear that way. Spell casting was explosive with lots of light and fire effects. The time shifts were marked by a shimmering effect that still has us puzzled about how it was done. The revelation of the prophecy had people gasping in surprise. Only two elements were  a bit disappointing: 1) the underwater scene, which appeared to be just a film of the swimming actors projected on a screen, though the real onstage pool that the actors appeared and disappeared almost made up for it. 2) the trolley lady, who didn’t transform in any way other than to grow some claws, Wolverine-style, and seemed to make no effort to stop the boys escaping the train other than yell at them. I expected an exploding pumpkin pastie or two.
    On to the few elements of the play that didn’t quite work for me. The first was Hermione, who, unfortunately, does not make a very convincing Minister of Magic in any timeline. I think the problem there is that, despite her intelligence, she was never a particularly strong leader; she simply does not work as a wizarding head of state. Of the major characters, she and Draco Malfoy are the most transformed from their book and movie versions, and, while we are shown a reason for Draco’s transformation– the love and loss of his wife, Astoria Greengrass– we have no clear reason why Hermione seems to be a completely different character.  The second is, the Sorting Hat, who is played by a nameless person in a brown muggle suit who also pops up at various points in the play to remind us of the boarder between our world and the magical one: he casts the spells to conceal Platform 9 3/4 from muggles, and starts the snow in Godric’s Hollow. But the hat itself is… a brown derby.  For a play that sticks quite closely to the world of the books– remembering details like Ginny calling Tom Riddle’s diary her best friend, for instance– to forget that the sorting hat is an ancient wizard’s hat that once belongs to Gryffindor himself, is decidedly odd. Third, the Snape in this version was not particularly impressive. He seemed too quick to believe Scorpius’s story, too friendly with Ron and Hermione and too sentimental about Albus Severus bearing his name. The pacing for that entire part of the show seemed a bit rushed. I would liked to have seen a bit more Rickman-style stoicism there.
    Finally, my husband and traveling companion, who has read the books and seen the movies but who is nowhere near the superfan I am, shared my opinion that the play really needed an in-the-flesh Neville, as many times as he was mentioned.  But, overall, those were minor quibbles, compared to an overall wonderful experience. If you have a chance to see the play. go!
    Tomorrow, I’ll explain a bit about the theater decor, and how that enhanced the overall experience.

    Comments

    1. Kelly Loomis says
      Having seen the original cast earlier this year, I think I can agree with much of your review. One thing I would disagree with however was the audience being skeptical going into it. Most of the people I waited in line with or sat around did not even seem to have read the script, let alone be skeptical about it. Gasps at certain reveals were evidence of most not knowing the story beforehand.
      You haven’t touched on the decor and theater yet, but the whole experience from reminder and informational emails, to the directions and orderliness in the line outside the theater, to the “feels” you had walking around the lobby areas were all part of an enhanced theater experience. It was all “top notch”. Having a designated person to take photos with your own phones with the house banners contributed to the excitement before even getting to one’s seat. (But I’m sure you’ll cover more of the theater’s lobby experience in your next post).
      If I had issues with the script beforehand but decided I wanted to see it and experience it live due to many people loving it. In person, the story goes very quickly and with the staging and special effects, an audience member doesn’t have as much time to ponder over those issues as when reading the script. You get caught up in the majesty of it all.
      I agree with your assessment of Hermione’s character. She would have been better as the right hand woman of another Minister for Magic – doing research and applying her brain to problems but not necessarily leading others and being the face of the ministry. I may be in the minority here – and Hermione COULD have been black by the book description – but it was hard for me to picture her that way after 8 films of Emma Watson. Having the actress outside smoking by the stage door before both performances took a little away from her also (although that is a very opinionated stance I know).
      I would also have liked seeing Neville – especially as a professor and maybe drinking with Ron at the pub.
      Otherwise, thoughts on the cast were that they were superb. I enjoyed Ginny especially as she was given more of the strength we saw in the books and was a perfect partner for Harry. Much of Harry’s issues were very understandable and as a parent I cringe at some of my past mistakes.
    2. Yes, Louise, all well and good, glad you loved the play…
      But what did you choose to drink?
      I’m almost convinced I should go (and I will when the road show comes to Oklahoma City, I promise), but I’m curious to hear about the refreshments on offer in NYC.
    3. Louise Freeman says
      John,
      See next post!
    4. Ah, a frose! Yum.

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